What’s up folks? You’re welcome to my final review for Abattoir Season 2.
This episode was a befitting resolution to the main conflict that the series started with. Martins eventually realizes that Jesus had always been there with him and that if he forgave his father, then, he’d be free. As forgiveness is likened to freedom, I see the abattoir as a prison, which is what gave Durosanya the power to dictate the events of Martins’ life. Martins became very much elated after Jesus paid him a visit, and I think the last time he spoke so passionately and joyfully was in Season 1.
I’m of the opinion that the recap of a previous episode shouldn’t be more than a minute long, which would ensure that time and space are technically and optimally utilized. So, I’ll like to see this worked on in Christian movie series to come.
It’s really sad that Nike dies, especially without receiving God’s forgiveness of her sins. It’s important that we as children of God pray that none of our parents’ misdeeds would find revenge upon our lives. Obviously, this episode reveals that Durosanya was only in hunt of a prey, and unfortunately for him, that happened to be his accomplice in perpetrating evil.
This has set up a nice conflict ahead of what will be a third season of the Abattoir series. This is one of my favourite parts of Episode 6 – that though the season has ended, it leaves the audience with a sense of satisfaction, in addition to the anticipation for a new season. It’s left to be seen what happens to all our beloved cast.
Alright, we’ve come to the end of this snap review. Have you seen the episode? What did you think about it? What’s your favourite part of this Season 2? Please let me know your thoughts in the comments section.
Hey folks! You’re welcome to the penultimate review of Abattoir Season 2. It’s been a really good sequel season to its predecessor. Episode 5 is the shortest so far but is very important in terms of what it accomplishes for the plot of this season.
It was a calming sight to have the Folarin family together brainstorming on how to get Martins out of his predicament, as well as on the new case of Baba being led to minister to Flora. Gbenro’s composure contrasted his father’s restlessness to go out and do God’s will, but it was with this serene disposition of the young lawyer that Baba was able to arrive at reasonable steps to go about handling the situation. I think Baba Gbenro becomes a more effective minister through the support and input of his family.
One of the surprises in this episode is what looks like imminent doom for Gbade’s daughter, Nike, played very well by Sharon-Tops Olukoju. My question is whether this was intentional by Durosanya or it was just a chance meeting. If Durosanya succeeds in using her blood, will Gbade get to know about it? Is this going to be what foments trouble between Gbade and Sanya? We’ll see in the Season Finale which I expect will be a very loaded episode.
I mentioned in my Episode 4 review that Flora seemed to be the protagonist of Season 2 and it appeared more so in this episode. The story of Martins was the hook that got us into this series and for this season, that same story drives the plot but Flora’s story is in the owner’s seat. In Flora, we find someone who thinks that her case is hopeless and it has seemed that she’d be so willing to die if death came knocking, which goes to show just how much she has hardened her heart to hope. The way Baba Gbenro and Mr Adegbola responded promptly and wisely to what God required of them just makes me ask the Lord to help me be sensitive to His leading at all times.
In Sandra, we see what it means to speak scripture – the word of God is her reality and it comes up very frequently in her conversations. She counters anything that is not in alignment with God’s truth and that’s one thing we’ve all got to learn to do. She’s admitted the reality of those truths, she confesses them, thanks God for them and makes her faith effective by taking the necessary actions to complement them.
There is high suspense in this episode aided by the ordering of the scenes which concealed some details which will be revealed in the next episode. This scene structure made Episode 5 very interesting to watch. At what I would consider the climax of the season so far, a new song comes in, really moving music that transitions into the reunion we’ve hoped for, between Flora and her mom, and indeed, her family.
The season could almost end there in my opinion; however, there’s more to come in the last episode showing next week because the ‘Next on Abattoir’ section reveals some very interesting events. I wouldn’t want to talk about that section yet because I think it reveals too much, and I really want to sit back and enjoy the thrill, suspense and ultimate climax that Abattoir Season 2 has to offer. So, fasten your seatbelts for the Season finale coming up next Sunday, March 7, 2021; I’m sure it will be an awesome ride.
Alright, we’ve come to the end of this review. Have you seen Episode 5? What did you think about it? Is Durosanya deliberately trying to get rid of Nike, his best friend’s most priced treasure? Let me know your thoughts in the comments section below.
Hey folks! You’re welcome to the review of Patrick Syndrome written by Seyi Obembe. It was directed by Adeoye Omoniyi, shot and edited by Akin Alabi and features a star-studded line-up of actors like Seyi Obembe himself, Juliana Olayode, Iybee Senior, Doyin Hassan, Abiodun Morakinyo, Sam Ajibola, IfeOluwa Seyi-Obembe, Ayo Ajewole (Woli Agba), Olamide Oladimeji (Dele Omo Wooli) and a host of others.
One of the wonderful musicals in PATRICK SYNDROME
Patrick Syndrome lives up to its billing of belonging to the DraMusiComedy genre. Its story is an excellent one told in a high picture quality using beautiful settings, and shares profound truths from the Holy Spirit about fulfilling God’s purpose for your life, workplace wickedness and has something on the choice of a life partner.
For the music aspect, Patrick Syndrome has really good scores well spread across the span of the entire movie, though they felt short because they were really melodious and sometimes served as transition to other scenes. This movie then did something really priceless at the end credits: it listed the titles of each song used in the film and went further to state their composers and performers; that was very professional. Many times, the audience falls in love with certain soundtracks in movies and we begin to wonder what their titles are and how to get them. Here, we’re given some of that information and I think the producers could go a step further by creating a digital music album that comprises all the original soundtracks used in Patrick Syndrome either for purchase or free download, so that fans can have access to them.
If there was one thing I desired for Patrick Syndrome, I only wished it was longer, because this film, I tell you, was no mean feat. Patrick Syndrome invests time, energy and resources into the creation of elements that are enough to make it a two-hour movie conveniently: apart from the dramatic and musical aspects I’ve mentioned, I’d assert that every character brought in for that comedic touch, such as Sam Ajibola, Woli Agba and Dele Omo Woli all owned their scenes and delivered their humorous lines and actions with remarkable accuracy. What got me further amazed was that for a scene or two, Patrick Syndrome looked like it was going to explore the Spy film genre, apart from the Science Fiction elements it uses in its background. So, believe me when I say that this movie is a fantastic work of art. There’s something done with The Final Contest and I’d like something similar done here too. Permit me to elucidate.
I first came across The Final Contest on YouTube as a 124-minute movie, which I thoroughly enjoyed. Last year, I encountered a DVD version of it that was nearly thirty minutes longer than the first and it had new scenes. My respect for the producer went through the roof because I observed that the new scenes weren’t missed in the YouTube version, though those scenes filled in a few gaps in knowledge. My point in saying all this is that the producers left the room for improvement open even after mass DVD production, trimming scenes where necessary and possible to give the audience greater value for their time.
On the flip side, maybe much later and through the same or another medium, an extended version of Patrick Syndrome could be made available, where the plot would be more steadily built: we’d see more of the village missionary and how much the pandemic affected the Ewenla community, the TedX scene would be given greater power, considering the magnitude of that platform, we’d know why Dr Patrick went to meet Woli Jerubaal, how the MD became a child of God; all these and there would be a better ordering of events that would make for a richer watching experience.
The movie ends on a very inspiring note, and then, after the dust had settled, I asked myself, “What is the Patrick Syndrome?” according to the movie. Simply put, it’s a manifestation of the power of God. I highly recommend it for your viewing pleasure and blessedness.
Alright, we’ve come to the end of the review of Patrick Syndrome. Have you seen it? What did you think about it? What is the Patrick Syndrome? Please, let me know your thoughts in the comments section below.
Hey folks! You’re welcome to my fourth review of Abattoir Season 2. Just one more episode and we’ll reach the Season 2 finale. Alright, let’s review Episode 4.
The recap of previous events at the beginning of this episode was rather too long for me, being close to 4 minutes. In any case, there was a nice transition from the first scene to the second. It was nice to see Baba Gbenro’s family meeting Barrister Adegbola’s family for the first time in the series. Similarly, Dele meets Gbade’s daughter, Nike, who it turns out, is a secondary school student.
This episode offers enlightening perspectives on conduct in ministry. When Baba Gbenro regains consciousness, he admits that he had let his ministry to Martins consume him at the expense of his family. Mr Adegbola has helped Dele refrain from this dangerous consumption by making him see that he shouldn’t allow his busyness prevent him from spending time with his family. Though Dele has gone “international”, his father expects him to stick to the word of God. Gbenro also has placed an attractive offer above God’s will, and that case brought out the worst in him. He admits that something came over him, as the camera brilliantly portrays in Episode 3. His father encourages him to seek God first and we see that indeed, life is a race of priorities.
You know, I’m beginning to think that Flora is the protagonist of this season. In a subtle way, we learn more about her with each new episode and she’s quite a character. Flora is beginning to care and we see that beneath that hard exterior is a lady who has had a terrible past and is afraid of being abandoned so much that she gives in to speaking with her mum in a really, really touching scene. She ends up giving her mom more than a minute but concludes that her case is hopeless. From her mother’s story, we know that’s not true and we can only hope that it won’t be too late before Flora accepts Jesus’ offer of a new beginning.
With Gbade getting his wish for Flora to testify in court, it’s quite clear that he doesn’t want her killed, but with her fiasco at the restaurant, Gbade has now begun the process that might end in Flora’s dream of death coming true. It was nice seeing Adekunle Idowu who featured in God of Elijah (2013) and Neema (2018) here as one of the assassins. In those two movies, he took on different appearances and he’s done the same here.
In this episode, Durosanya takes another third dimension visit to Martins to the effect that his torment physically affects Martins and he’s adjudged to be schizophrenic. I just observed that though Martins regrets his bad treatment of Baba and Mama Gbenro and now knows it was his father and Gbade that planned for Flora to set him up, he still hasn’t restored his relationship with God. I don’t think I’ve heard him speak to God this season. That’s probably why his father still has that power to torture him spiritually and physically. Dele captures all we’ve been saying about Martins’ heart towards his father: “When you hold on tightly to pain, anger and bitterness, you cannot receive the gift of the Lord Jesus Christ; but when you release from your heart and let go, Jesus Christ will in turn flood your hearts with His pure gifts.”
Baba Gbenro has to step in again to help Martins, but this time, his approach is different. His method in this episode is clearly suitable for the situation and eventually, we see the picture of how things should be, the way Mama saw it, and it was more effective as the episode finished with a really nice overhead shot of Martins becoming conscious again. I can only imagine that Episode 5 is going to be hotter. Fingers crossed.
Alright, we’ve come to the end of this review. Have you seen the episode? What did you think about it? What is more important? Family or ministry? Please let me know your thoughts in the comments section below. Episode 5 comes up on Sunday, February 28, 2021, on DMB YouTube channel.
Hey folks! You’re welcome to my review of Abattoir Season 2 Episode 3. It is just over an hour long and quite a lot happens in it.
The recap done in the Previously on Abattoir section was meaningfully drafted; it didn’t comprise clips from the last episode alone, but went all the way back into Season 1 to get parts of the story directly linked with this episode. This served as a refresher course of some sort and helped in establishing the background knowledge needed to follow this episode correctly. That was a good one.
Also, Abattoir is building up to be a very good gospel thriller and it has had that edge of crime in it from its first episode. Though we the audience are aware that Martins has been set up, it was nice to see the investigations and questionings that give Abattoir Season 2 a detective movie feel.
I loved the acting of Ayo Afolabi as Mr Wale in this episode. Everything about his character was natural and believable. I have observed that in some movie series, the protagonist especially is given a slight change in appearance, just to inject a little bit of freshness into a new season. That happens for Mr Wale here, and along with his character arc, that is, his journey from the desperation that made him accept a bribe from an unknown source, to his realization that he had done the wrong thing and that he needed God’s help, and his dialogue, he evolves as a solid character. In fact, the ending of his scene with Mr Adegbola really touched me.
Another notable moment in this episode was when Mama Gbenro told her husband she loves him; that struck a chord. Baba was so stunned that he stammered and all he was able to say was “God bless you”, which points to maybe something deep in Baba’s heart about the matter.
For some of us that were beginning to think that Baba Gbenro was superhuman, we see that he also has battles he has to fight. I hope we’ll get an insight into Baba’s heart subsequently.
We witness more of the special relationship between Flora and Sandra here too. I like the mystery edge to their story because, while in Season 1, we probably had no reason to wonder about Flora’s backstory, in this season, I’m really eager to know more about how things became the way they are between her and her mother. In fact, I think that the potential in the content of Abattoir is enough to have one more season. I’m not declaring there will be, but I’m just saying I won’t be surprised if there will be.
One thing I don’t understand though is Gbade’s insistence on Flora testifying in court, especially because it’s quite obvious that her testimony would only puncture holes in their case. I would have liked that part to be more believable. Perhaps, Gbade wants her eventual death to look like an attack from Martins camp. We’ll see.
There’s a shot in this episode that I like so much and it created the desired effect. At the moment Gbenro referred to his father as Mr Folarin, a vertigo-like shot was used to hone in on a Baba Gbenro shocked to his roots; that was very well done. All in all, Episode 3 was a very nice one and we’re halfway through. We brace ourselves for an entertaining second half.
Alright, we’ve come to the end of this review. Click below to watch the episode:
Hey folks! You’re welcome to my review of Abattoir Season 2 Episode 2. Though this episode isn’t a long one, I can tell you that the Abattoir story is getting more intense and interesting. The way this season has incorporated her new characters and subplots and how they link to the main story is pretty amazing. So far, Flora’s story has been beefed up and we’re now getting to know more about Baba Gbenro’s family.
In this episode, we see a more devious Durosanya but Martins seems resolute not to give in. I sometimes previously wondered if Durosanya still knew what he was doing, but here, he hits the nail on the head by telling Martins that he needs him to take up the role of the secret seer, while he assumes that of the heart of the secret seer. The latest strategy in this plan leaves us to only imagine the level of conspiracy Durosanya wants to level against Baba Gbenro, by bringing Gbenro, played by Tolu Adegbo, as a prosecuting counsel in the case against Martins. In a way, Durosanya is pitting Baba Gbenro’s physical son and spiritual son against each other.
Things are not particularly smooth for Baba Gbenro any longer because his wife doesn’t understand his relentless zeal in fighting for Martins, probably at the expense of their biological son. According to her, Baba ought to carry his family along in this battle, and I think she’s made a good point: if Gbenro had been kept abreast of the happenings in the family, he probably would have been able to see early, the trickery involved in him being selected to take the case. Only God knows what Durosanya and Gbade hope to achieve by doing that but whatever it is, Baba Gbenro will indeed need his family to help him through this one, if the family will not end up being torn apart.
Episode 2 was mainly about the subplots: the scenes between Flora and Sandra were funny, and the ones about the Baba Gbenro family were nice too. I guess we’ll see Gbade’s family again in Episode 3. All in all, it was a very good episode, and for the first time, I wished I could just watch all the episodes of this season at a sitting. In any case, one of the beauties of watching movies in episodes is just the joy of the ride. You get a bit this week and your appetite is whetted for the next episode, but during that interval, the Holy Spirit brings more understanding of the film to your heart and you’re able to meditate on it throughout the week.
For example, look at those desperate to hold political offices and don’t mind shedding blood; we as children of the Most High must be on guard to ensure that our lives are not wasted in anyone’s selfish pursuit of power. Also, I have seen how important family is. Baba Gbenro has been so caught up with going after Martins that he’s kind of neglected the needs of his immediate family, but really, after all is said and done, family is who you’ll return to and who would cater for you. These and many more are the benefits we get from gospel films. May the Lord continue to strengthen all drama ministers as they go on movie locations this year. So, I’ll patiently wait till next week for Episode 3.
Alright, we’ve come to the end of this review. Please let me know your thoughts on this episode in the comments section below.
Hey folks! You’re welcome to the review of “Homeless” from PRODRAM Productions. It’s one of the 2020 festive season YouTube releases and was written and directed by Ayobami Adegboyega, who is also the writer of the Husband and Wife Series, where House of a Stranger Season 2 is ongoing.
“Homeless” talks about two families with different experiences when it comes to the concept of a healthy home life. I’m impressed by the fact that real life twins, Taye and Kehinde Oladosu, were cast for their roles and this movie capitalizes on it by optimizing the similarities we observe in them that transcend appearance, such as their responses to events, attitude to life, costume, and particularly their singing ability. Thus, “Homeless” is some kind of a musical, which is a welcome approach, given the fact that it hasn’t been explored much so far. “Secrets of the Moment” by Gloria Bamiloye, “The Chair” by Darasimi Oyor, and “The Last Cab” by Femi Adebile are a few that have adopted elements of the Musical genre over the years.
So, “Homeless” really does her music scenes conscientiously. The technicalities of shooting people singing were religiously observed here. One of the flaws that have plagued such scenes include a person or a group singing on one key in one shot, and then we hear them singing on a different key in another shot; that has happened is so many movies. Another one is the discrepancy between a song that might have been pre-recorded and the way the actors try to present that song, and as such, the lips of the characters don’t properly align with the track being played. But “Homeless” takes note of these things and works well on them – the keys referred to are the real life musical keys, the songs remain on the same key in each shot, and the acting out of the singing and the playing of instruments are mostly in sync.
Then, the movie just flows; it doesn’t hurry into its theme. It lets you enjoy the music which was soul lifting, and then steadily reveals more of its plot till the end. It’s a movie that would touch your heart and give you an understanding of what really matters in a home, and shows just how much God can intervene in the things you’re trusting Him for. He has never failed, and He won’t start now.
Alright, we’ve come to the end of this review of “Homeless”. Have you seen it? What did you think about it? What lesson did you learn from it? Please let me know in the comments section below.
What’s up, gospel movie fans all over the world? You’re welcome to this Fantalk edition where we’ll be talking about the anticipated release of Abattoir Season 2. Sincerely, that July-August period last year during the lockdown wherein Abattoir Season 1 ran was a memorable time for me. Season 1 was such a blessing and was so enjoyable. So, naturally, when Season 1 ended, delighted audiences began to long for Season 2 which was subsequently initially planned for release late last year. When I saw a tweet by the creator, Damilola Mike-Bamiloye, with an image of the script for Season 2, Episodes 3 & 4, I was so thankful to God and I thought that at least, the shooting had commenced, only for its trailer to be released a few days after. As usual, we’ll be making cast, crew and plot guesses. So, let’s do just that!
THE CAST, THE CREW AND THE PLOT
From the trailer, we see our beloved cast and I was particularly delighted to see the teenage Martins played by Goodness Adegbola again in this season; we last saw him in the Season 1 Episode 2 but he’s here again as this Season would probably start as the first one did, that is, from the past. Old cast like Martins, Chief Durosanya, Gbade, Baba Gbenro, Mama Gbenro, Flora, Mr Adegbola and The Grandmaster feature in this trailer. We also find some new cast such as Bukola Omolola, Adeola Adetoye and Toluwalope Adegbo, who featured as Femi in the latest Gospel movie from Faith-lift and Mount Zion, Jailer.
With Martins apprehended by the police, Chief Durosanya has the chance to become the heart of the secret seer, while Martins becomes the secret seer. Would Martins willingly join the fraternity? Probably not, but the trailer suggests so because Durosanya now wants to rise yet higher by riding the third dimension. Whose blood would he need for that? Could it be Gbade’s, his loyal friend?
On another note, Durosanya’s and Gbade’s plan to get rid of Flora might not be that straightforward because from the trailer, she still features in three different scenes. I’m not surprised though; she’s a hard nut to crack. Here, she is even ready to defend herself. Seriously, some thrilling stuff is gonna happen in this season.
Then, to the young Martins, I guess we’ll see a bit of the events that followed his arrival at Baba Gbenro’s house, as we see him putting on the same shirt he wore when he got there, and smashing, not a plate, not a phone, but a stool on the floor, to the horror of Baba and Mama Gbenro. I hope Goodness Adegbola didn’t get injured in that process. I guess we’ll still get to see Dele because we still see his father, who comes to see Martins in a scene at a time when Baba Gbenro probably also arrives at the police station. Martins is forcefully restrained from trying to see him in what will possibly be quite an emotional scene.
Bukola Omolola and Adeola Adetoye are probably mother and daughter of whom I don’t know, but they are obviously in distress. On a note that captivated audiences far and wide, Baba Gbenro tries to help Martins out of his predicament and probably has to go through a lot, which very much gets on Mama Gbenro’s nerves. The extents of his love will probably be tested here. This definitely is a season worth seeing.
That’s that for this Fantalk episode. The schedule of release is Sundays from January 31, 2021 to March 7, 2021. So, ensure you subscribe to Damilola Mike-Bamiloye YouTube channel and click the notification bell so that you’ll get alerted when it’s published. My reviews for it will be out the Wednesdays of each episode, so watch out for those too.
Hey folks! You’re welcome to my set of reviews for Abattoir Season 2. It starts with a flashback of Martins’ first time in Baba Gbenro’s house. The placement of that flashback in this new season, rather than the first season, was an inspired choice in my opinion. It wasn’t a very long scene but it went a long way in making the movie more interesting, because, we understand better now why Baba Gbenro is so dogged and was not easily discouraged by Martins’ hostile treatment of him.
At their first meeting, Baba had dealt with and had won over a violent, bad-tempered Martins with the wisdom of God which no man can resist or gainsay. Mama Gbenro had been skeptical from the start, and she was in Season 1 when Martins’ situation seemed to have gotten out of hand. When Baba said they’d prayed and had been convinced about taking Martins in, it taught me that being convinced about what God has spoken to you doesn’t necessarily guarantee a smooth ride, but it gives you the strength to make it through victoriously.
There was good humour in this episode, although for Martins, things are not so funny, and it now seems he’s turned a corner and seen the true state of things – that Baba and Mama Gbenro love him and did not deserve his cold treatment of them. It seems he’s had to learn the hard way; he’s broken again but now is gradually getting fixed.
Mr Adegbola, played by Victor Olukoju PVO, is the new entrant in the opening credits of Abattoir, which suggests that he’ll be playing quite an important role here. Remember that in Season 1, he makes it known that he’s a lawyer, and as expected, he’ll be defending Martins in this case.
I wondered what the roles of Bukola Omolola and Adeola Adetoye would be and it interestingly turns out that they are Flora’s mother and sister respectively. Her father is played by Tunde Oreniyi who plays a diplomatic presence that could be amusing at times. Their story, along with Baba Gbenro’s and Martins’, really got me reflexive at how important and serious the matter of “problematic” children is. I’m saying, or maybe I’m asking, how long is long enough, when you’re trying to set a child who has gone astray in the right path; at what point do you hands off or should you even ever do that as a parent or as a teacher, even when it seems you’ve done everything right to bring up that child in God’s way?
The way Flora’s mom sees it is that she has two daughters; one is a hit, the other is a miss. To her, she’d rather forget about the black sheep and lavish her love on the good soil. I think it just shows a bit of the anguish in the hearts of parents with children that seem recalcitrant.
However, Baba Gbenro makes us see that when a child needs help, that’s what you should give to him/her; you give them the help they need, not abandoning the child, because that would only drive them farther away. 1 Corinthians 13:7 says that love never gives up and this is exemplified in the parable of the lost sheep and lost coin where the owners leave the righteous ones behind and go looking for the lost one. That suggests that Flora’s mom actually ought to leave the perfect daughter with a “very bright future” in Sandra, and go after the lost Flora, kind of in the way that Baba Gbenro has kept going after Martins, and though they’re yet to be reunited physically, Baba has already won back his son, Martins Durosanya.
Alright, we’ve come to the end of this first review of Abattoir Season 2. Have you seen it? What stuck with you the most from that episode? I know there’s also the part of Adegbola’s wife, as well as Gbade’s family and Durosanya’s new ambition, so, let me know your thoughts in the comments section below.
Hey folks! You’re welcome to the review of “Jailer”, a movie from the collaboration between Faith-lift Productions and the Mount Zion Film Productions. The story was from Pastor J.F. Odesola, while written for the screen by Damilola Mike-Bamiloye. I’ll make this review very much spoiler-free, I’ll probably do a fuller review when it’s later released on YouTube.
Martha Oguma plays Temilola
“Jailer” tells the story of Temilola Williams whose father was murdered by a gang called the Black Scorpion Gang and who is bent on getting some form of justice on the supposed only surviving member of that gang.
“Jailer” was very interesting and filled with powerful lessons. It was technically well made – the costuming was beautiful, the picture quality was high, the ministry name display of Faith-lift Productions seemed like something out-of-Nigeria, the aerial shots were very nice, I’d say the most beautiful among recent Mount Zion movies and it was reminiscent of those taken in Land of Fury. The character introduction shot for Baba Adegbola was pretty cool, while the movie features a symbolic shot I hope to discuss about in my extended review of this film. It was nice to see a scene shot very briefly under real rainfall. For the soundtrack, it was creatively and emphatically used throughout the film. The dialogue as you’d expect was great and humorous, and the code-mixing and code-switching of English and Yoruba made the conversations feel very natural, relatable and believable. That was a very good choice of linguistic style.
Bayo Dipeolu as Baba Adegbola
Talking about the ministrations and performances, Martha Oguma really nailed her part, Damilola Mike-Bamiloye was awesome, Bayo Dipeolu was fantastic as ever. Adenike Aderemi-Fashikun, Adeoye Omoniyi, Pastor Bisi Akande, Omolara Ayoola, Victor Olukoju PVO, Ogunbiyi Adeyinka from The Train, Ayo Afolabi from Abattoir Season 1, Moyowa Okitikpi from My Mother-in-Law and a host of others really played their roles well.
Damilola Mike-Bamiloye as Tunde
This story is really touching. One of the lines that caught my attention the most is something like “If you’re fighting a battle you don’t know how to win, you fight it God’s way”. What touched me most is how the movie shows that God’s word – that word from God, that word of assurance, word of prophecy, that word of promise – how it makes the difference. Words can give life and can also take it. The margin between life and death could be determined by the words you allow to stay in you. All in all, Jailer is a very powerful movie and is surely a delight to watch.
Alright, we’ve come to the end of the review of “Jailer”. I believe that in time, it’ll come to YouTube too. Click below to watch the video of this review:
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