The movie “One Street One Sound” was written, produced and directed by Adeola Jerry-Oluwagbemi. He has come a long way from “Countdown” which was produced in 2017. OSOS, as it’s popularly called, is a movie that treats sensitive matters that pertain especially to youths and their sexuality, among other things.

There are a lot of commendable things about OSOS. From the beginning, the film gets the audience’s attention with its music and opening credits and shots, which all work in tandem with one another. All establishing drone shots in the movie are attractive; something I appreciate about them is the fact that they have the same picture quality as other scenes in the movie. The drone shots were not gotten from another already-produced movie; the film shoots its own aerial views of places in Germany and Nigeria. The production is colourful, aesthetic, and arguably competes with Nigerian gospel movies with the best picture so far.
The use of music is a major force in OSOS. Funny tunes were used for lighthearted dialogues, chants were sometimes used for tense scenes, and sounds occasionally served as transitions into other scenes. The soundtrack of the movie was fantastic; it was artistically inserted throughout the film and it peaked at the movie’s strongest point. The hip-hop tune synced with the opening credits and served as a worthy appetizer to a brilliant production.
The acting here was excellent; there were not only great individual performances, but also a lot of chemistry between actors that shared the screen in different scenes. Kingsley (Femi Adebile) and Grandma (Adebomi Olla) both portrayed a charming yet dynamic relationship that could seamlessly turn on its head. Similarly, the friendship between Jummy (Adeola Adetoye) and Jadel (Aanu Kolade) was well-portrayed. They both brought such life to their characters that one would think that they have a friendship that predates this movie. The casting was correctly done in “One Street One Sound”.

In terms of its subject matter, this movie is robust. OSOS was able to successfully treat two major issues without any interference. I’m glad the movie ended the way it did because it enabled us to know the gravity of its themes. If it had bailed out on that path, it might have undermined the message it was trying to pass across. Sometimes, a movie may take you on a serious lane, only to cheapen it again by means of a flashback or a dream motif or imagination, but this one doesn’t, hence, strengthening its core. I’m also impressed by the film’s subtle depiction of gluttony. I’ve hardly ever heard anyone talk about it, let alone make a movie about it. It is a problem that should be dealt with (Prov 23:2, 20 – 21).
The film was written in a way that not all details were provided in any scene. This would raise questions in the viewer’s mind, thus making OSOS more engaging to watch. So, things that look like plot holes or loose ends take on new dimensions the more we watch the movie. Even the title has got me brainstorming with other viewers since we first watched it. Yes, the title sounds cool but what its relevance was to the movie was unclear. Not until a week after, as I pondered on seeming place continuity errors I observed in OSOS did I understand what the “One Street” meant. Greater than that realization was the fact that it actually resolved all my doubts on what I thought were mistakes. The ingenuity of the story cannot be questioned and we realize more and more that, like an onion, there is always a layer of the plot to be unveiled.

I like that OSOS shows the struggles of many youths. Many believe in Jesus today on their own terms; they are ‘undercover Christians’ who can’t be found guilty if placed on trial for being a Christian. They serve God according to their natural desires, though the Bible tells us to make no provision for the flesh, to fulfil its desires. (Rom 13:14). The movie also shows that God and humans see sin quite differently. We are the ones that think a certain sin is ‘worse’ than another. We think adultery is when actual sex is done outside marriage, but God says it’s sin if you so much as think of it. Likewise, youths today feel that they are under more pressure than people of previous generations were; that may be true but the Bible makes us realize that times may be different but the same principles apply. The Bible tells us that Jesus was tempted in every way as we are (Heb 4:15); yet, there probably wasn’t pornography as we have it today then. So, the major thing is identifying all that is in the world – the lust of the flesh, the lust of the eyes and the pride of life (1 John 2:16), and dealing with those roots.
“One Street One Sound” is instructive because it does not just portray a problem but also shows us the way out. Jummy saw she needed help and cried out; she didn’t suffer in silence. In our world today, there are so many teenagers and youths who really need God’s help and a helping hand from a trusted parent figure. There is a warning though to be careful whom one seeks help from. Similarly, the writer recommends resources that would help the viewer. It is clear from this that this is not just a movie to entertain or pass a message across; it was produced for great impact. I have seen at close quarters the healing that this movie brings and I have not stopped witnessing how those who have seen it have been touched.

The subtitles however, could have been done better, because there were errors in them. Also, I feel that though the Germany scenes had their purpose, they could have been made more related to the Nigerian scenes. The only natural thread that linked both settings was a family relationship shown by an Evangelist Yemi Adepoju cameo, whose two children schooled in Germany.
BOLD: that was the first word that came to my mind after my first viewing of OSOS. “One Street One Sound” is a production that treats issues that require boldness to talk about in public. It is my opinion that this boldness should be reciprocated by parents sitting with their children to watch this movie (I don’t think teenagers should watch it alone; their parents should be there to guide them and answer whatever questions they might have). Churches also could show the movie to their teenagers and youths so that many more people will be reached with this message of hope, healing and restoration. The premiere copy uploaded online was copyrighted to 2019; I don’t know but if it would later be credited for release as a 2020 movie, but it would surely be one of the most talked-about movies of the year.

To watch the movie, click on the link below
Have you watched the movie? Please comment below and let us know how OSOS blessed you.
























































