“THE BOND” REVIEW

Hey folks! You’re welcome to the review of The Bond, YouTube-released on February 9, 2022. Without mincing words, I’ll describe The Bond as a filmmaker’s delight. It’s been a while that I’ve seen a gospel movie so well-evenly paced, making for a smooth viewing. Everything was well done in its production and this is fast becoming a trademark of films from the Vision Carriers, after the release of the wonderful Laide’s Note in 2019. You can check out its review here: https://witnessgospelreviews.movie.blog/2019/09/11/laides-note-review-a-profound-message-to-christian-ladies/

A brilliant wipe transition

            I can’t remember watching a gospel feature movie in recent times with so much dynamism in its cinematography as this one. Its scenes make use of pans, zooms and tilts to help keep the story moving, making it a real mo-vie. The Bond exemplified that you don’t always need an aerial view as an establishment shot. There was also this wipe transition that made use of a lady walking; something like that shows that the filmmakers are conscious of the need to utilise elements that spice up a movie from time to time.  

The acting in The Bond is brilliant, and the characterization is just so beautiful. The protagonist is arguably the group and not just one individual. It gives every major character enough screen time for us to see and understand their plight, and that’s not an easy task to accomplish. The dialogue was down-to-earth and the sound design was well done. I like it when a movie makes use of the power of a montage and The Bond does it brilliantly.

The group is the protagonist?

            I’m an English Language instructor, and while marking some essays, I would need to keep my red pen perpetually over them because there would be one error or the other to correct, but for some others, I can simply sit back and enjoy what I’m reading with only occasional corrections. The Bond is like the latter that just flows from beginning to end. I kept wondering to myself, ‘Who wrote this beautiful story; who directed this movie?’ Then, the end credits came up: Chioma Chukwulotam directed this work of art and Goodness Adegbola, the teenage Martins in the Abattoir series, wrote it for the screen. I was wowed, but not long after, on my first viewing of the movie, I asked myself what ‘the bond’ then meant. I always watch movies to the very end of the credits, and voila! The verse from which this title was gotten stylishly aligned with the title! Then I understood the movie better and felt blessed the more.

            I could wax lyrical on and on about this movie; really, it’s a very good one. It gets its message across with just the right quantity of exposition, which was just perfect. It also treats a variety of relevant themes, especially in a Christian setting – challenges youths go through, self-esteem issues, leadership, hypocrisy, religion, tears behind the altar, the power of prayer, victory by God’s Word, and love and unity as the language that really matters. The Bond is an amazing movie that I would recommend for your viewing pleasure and blessedness.

            Alright, we’ve come to the end of the review of The Bond. Is it just me or this movie is as I’ve made it out to be? Please let me know in the comments section below.

The link to the film https://youtu.be/AmSGu9shGPQ

            Till the next article, stay blessed!

“MAGDALENE” REVIEW

Hey folks! You’re welcome to the review of Magdalene, directed by Evangelist Mike Bamiloye. It tells the story of Edward and Magdalene, whose marriage seems to have been built on the faulty foundation of deceit on her part.

The counselling session

After a rather slow and long first act, Magdalene picks up pace when the door to the couple’s home opens. The fact is that Edward is flat out disappointed; he’s completely disillusioned that everything he thought he knew about his wife has gone out the window in the first month of his marriage, so much that he does the unthinkable by physically abusing her. However, after a counselling session almost crippled by an avalanche of insults traded between the couple, Edward displays remarkable patience and gentleness to communicate with his wife. This breaks the wall of ice between them and gives her the platform to open up on any other dirty secret she might have.

Can this marriage work?

Magdalene emphasizes the importance of transparency and truthfulness in both courtship and marriage. The truth here is portrayed as a weapon which can silence enemies of godly unions. In my view, the movie gives answers to the question raised in the Scriptures about what the righteous can do when the foundation is destroyed: you rebuild on Christ, the Solid Rock, the Chief Cornerstone; you can set boundaries as Magdalene does for her mom. The genuine love that Edward has for Magdalene eventually covers her multitude of wrongs.

Olasunkanmi Solomon

Some things worthy of commendation in Magdalene include the slightly more dynamic cinematography than in recent Mount Zion productions, the cameo of Olasunkanmi Solomon from JATEM Global Network, the turned tables at the end, the credits rolling as the movie’s curtain falls, and the film’s soft soundtrack – “Take me as I Am”.

Closing credits

In Magdalene, Patience stills the storm, Truth breaks the shackles, and Love wins in the end.

Alright, we’ve come to the end of the review of Magdalene. Have you seen it? What did you think about it? Please let me know your thoughts in the comments section below.

The link to the movie https://www.youtube.com/watch?v=-3QF4p1KG14

Till the next article, stay blessed!

“THE KEEPER 2: TERRITORIAL ALTARS” REVIEW

Hey folks! You’re welcome to my review of The Keeper 2: Territorial Altars. This movie is on another plane entirely in terms of what it aims to do in the lives of the audience. It is a power-packed ministration that is sure to birth many testimonies for those who watch it as recommended.

The Keeper is back!

It’s quite difficult to do a review for a film filled with so much deliverance power like this one. Nonetheless, in comparison to its predecessor, it is a technically better outing. It was great to see a gold and green-themed new ministry name display for PREM Film Productions International. The previously long opening credits were stylishly sufficiently shortened by including them as part of the opening scene.

Something highlighted in Territorial Altars for me is the importance of the portfolio of a subtitle team in movie production, which PREM films have always had. Not this time around though, and the difference is clear to see. I believe this will be fixed ahead of the next production.

John in the lion’s den

The Keeper 2 posits that everyone needs a revelation of his circumstances. John, played by Femi Adebile, models spiritual sensitivity as displayed in his discretion, boldness, calmness and authority. He urges the audience to use the weapon of prayer to tear down generational, territorial and consequential altars. The movie emphasizes that amidst this world with a preponderance of darkness, children of God need to be bold and take authority as lights.

Summarily, I’d say that this sequel is more than a movie; it’s a ministration and a powerful one at that, which is better experienced while watched with patience and an open heart.

Alright, we’ve come to the end of the review of The Keeper 2. Have you seen it? Please let me know your thoughts or testimonies from it in the comments section below.

The link to the movie https://youtu.be/PxRt0HiDa7M

You can watch the video of this review below:

Till the next article, stay blessed.

“GBEMI 2: THE WAITING ROOM 2” REVIEW

Hey folks! So, we got to see the concluding part of Gbemi 2 and it really looks like an early candidate for my 2022 top 10 gospel feature movies list. It’s entertaining and loaded with several encouraging words to see us all through our various waiting periods.

Gbemi and John

In this second part, Gbemi loses the baby, but demonstrates an amazing level of strength to get through the disappointment. John on the other hand, doesn’t handle it so well. Bukky thus chooses that time to strike, which had been her plan all the while. The importance of spiritual sensitivity is highlighted here as it is Gbemi’s intercession for her husband that quells his naivety and grants him the wisdom to get out of a really tight spot.

The Kalejaiye’s special wedding ceremony

The subplot of the Kalejaiye’s also offers a lot of humour and heart for the film. God’s Beauty Owah plays the role of Imade very well. I remember saying in one of my Fantalk episodes that she’s one to look out for in the future and it was good to see her shine in her scenes in Gbemi 2. Her most catchy line for me was: “The Jesus kind of girl” in response to Maggie’s question about her identity, and in my mind, I was like ‘oshey’. The aftermath of a cute wedding ceremony Imade conducts for her parents was sweet to watch as Gboyega and Tara later shared memories of their wedding day. No sooner did this raise our hopes of a restoration than they were dashed as Gboyega states his plan to divorce Tara. This leaves the door open for Chuks to robe her into a scandal planned by Maggie. From the ashes of that scandal though, a new day is born and the Kalejaiyes surrender to Jesus.

The final scene

Gbemi 2 presents a bit of John’s ministry in a final scene reminiscent of the original film’s denouement; this shows a consciousness by the writer of the features that fans appreciate. This sequel commits to giving us a bit more of the same and much more in better ways.

“Sister Bukky of God”

A blip in this film which could be avoided going forward is the different portrayals of Sister Bukky’s character. The initial impression I got from her first couple of scenes was that of a counselee who had come to seek help from a man of God, and so, had to wait in line, while also visiting him later on as she passed by his office. I think that line would have been better followed than also making her a co-worker, which didn’t align well with earlier portrayals. All in all, Gbemi 2 is a really good film and you’ll surely be blessed by watching it.

Alright, we’ve come to the end of the review of Gbemi 2. I’m quite sure you’ve seen it; so, what one lesson stood out for you the most? If you haven’t, you can check it out below.

You can also watch the video of this review below:

Till the next article, stay blessed.

“HOMELESS 2” REVIEW

Hey folks! You’re welcome to my review of Homeless 2, written by Toyosi Ige and directed by Ayobami Adegboyega. While it was premiered at PRODRAM’s Drama Revival on Christmas Day last year, it was YouTube-released on January 21, 2022. The movie follows the twin nightingales – Tade and Laide – as their united homefront is now threatened by hidden internal sparks and external pressure they never saw looming over them.

Tade and Laide

Homeless 2 flies where its predecessor just comes out of the hangar. The most distinct feature of this film is the varied personalities given to the twins. The movie captures their individuality which presents us with the choice to root for either Tade or Laide, or we empathise with both of them. Their usual chorused responses and exclamations can only go on for so long when a compelling conflict between them comes up and the movie has a proper battle on its hands. Simply put, Homeless 2 is a more interesting affair than its precursor.

As in Homeless, there are a few harmonious numbers in this sequel. With regards to its original soundtrack though, I’d have loved for there to have been another score, or a variation of the original, just so that each movie has its own musical identity. Also, better visual effects of heavenly light would have lent credence to Isowo’s epiphany.

Goriola

One interesting character in Homeless 2 is Goriola played by Olufemi Olusina. He seems to have a certain moral compass, yet wants to marry a third wife desperately. How do you place someone like that? On another plane, Abike is resolute in her stance for the Truth, affirming that poverty would never cloud her judgment. She exhibits desirable wisdom by remaining respectful in her relationship with Isowo, who featured briefly in the first part but becomes more prominent here as he makes himself an antagonist. I like the way the movie fleshes out his character by showing us the stakes responsible for his inordinate request. His threat however, evaporates in a fade-to-white transition which brings about momentary confusion by making the prior events seem like a dream.

Other commendable things in Homeless 2 include an atypical aerial shot captured in a beautiful scenery and which created a sense of space in the ongoing action. Along the line, this film also explores an interesting premise: ‘What do you do when you’re not sure which twin you’re in love with?’ We might as well have had a comedy of errors on our hands in Homeless 2. In conclusion, it is a movie that shows us the true meaning of a home and warns against the strife that could tear families apart.

Alright, we’ve come to the end of the review of Homeless 2. Have you seen it? What did you think about it? Please let me know your thoughts in the comments section below. You could watch the movie below.

You could also watch the video of this review below.

Till the next article, stay blessed!

“GBEMI 2: THE WAITING ROOM 1” REVIEW

Hey folks! You’re welcome to my review of Gbemi 2: The Waiting Room 1 which was released on January 16, 2022. In the build-up to its release, I watched the first movie again and I was marveled at how good it was. Watching the first part of this sequel was a similar experience for me; it’s a fun time all through and loaded with truths. Likewise, it was characterized by the snappy, quippy and profound dialogue found in the original movie. The opening sequence was captivating and was capped off with what might become a fan favourite shot, which was then followed by the title display.

This part centres on the challenge of childlessness in John’s and Gbemi’s marriage, and the problem of infidelity in Mr Kalejaiye’s. Much of the story follows Femi Adebile’s John, who is as dramatic as ever, featuring in a role reversal as the anxious partner in a childless marriage. Gbemi demonstrates amazing calmness and maturity, and Emmanuela Mike-Bamiloye impressively uses her facial expressions and demeanor to execute them. Ihuoma Ogunyomi is effective as Tara Kalejaiye in conveying the emotional hurt her husband has inflicted on her. Still on characters, it was nice to see Kayode and Emmanuel so early in the movie. Their scene was long but it had a healthy balance of humour and revelations.

There are so many things to meditate on in this episode. The illustration of the waiting room is solid: if you’re not there, God can’t attend to your absence. A lot of reference is made to God’s timing and it raises the question in my heart of whether man can know God’s timing, so that it would help us to be calm in the period of waiting.

Taking a look at how Margaret has sent Chuks to seduce Tara, I think one thing that could serve as a check to married individuals is that, if it so happens you’re getting close to someone of the opposite sex apart from your spouse, one mustn’t get carried away because, while everything might seem to be happening naturally, the person might as well be an agent specifically assigned to bring you down. With the way things are, trying to reason with an agent of darkness could be futile because no excuse one gives deters them from the evil they want to carry out.

While I’d have liked to see a bit of that ministry John was pursuing in the first movie, I’ll wait till we see the complete story when the second part of The Waiting Room is released next Sunday, January 23, 2022.

Alright, we’ve come to the end of this review. In what ways did The Waiting Room bless you? Please let me know your thoughts in the comments section below.

You can watch the movie below:

Till the next article, stay blessed!

“GBEMI 2” – Fantalk

What’s up, folks? You’re welcome to this Fantalk edition where we’ll be taking a look at the imminent release of the much-awaited Gbemi 2 from the stables of Mount Zion Film Productions.

It was initially slated for an August 8, 2021 release but was pushed back for a week due to a technical setback. Subsequently, it was put off indefinitely, much to the dismay of fans who had enjoyed the 2019 adaptation of the novel written by Emmanuela Mike-Bamiloye that was screen-written by Damilola Mike-Bamiloye. For months after, the question on everyone’s lips was ‘What about Gbemi 2’.

After months of anticipation, an announcement of a new date was made in spectacular fashion; I mean, that new trailer was more than enough compensation for the delay. We thank God that this project is coming to fruition and I can only imagine how devastating the technical setback must have been: lost video files or maybe a crashed video editing computer? I’m only speculating here but were there reshoots? A lot of effort must have gone into pulling off this forthcoming release and I pray that God will continue to strengthen the Mount Zion cast and crew.

The trailer shows our beloved characters from the first film such as Gbemi played by Emmanuela Mike-Bamiloye, Femi Adebile as Bro John, Mummy Gloria Bamiloye as Gbemi’s mum, and Kayode Babalola as Mr Kalejaiye, Gbemi’s boss, as well as new ones among which I identified Ololade Okedare, Gbenga Ayoola, Folashade Awotubo as a possible recasting of Favour, Gbemi’s bestie, Ihuuoma Ogunyomi and God’s Beauty Owah as Mr Kalejaiye’s wife and daughter respectively. I hope we get another cameo from the hilarious duo of Kayode and Emmanuel played by Adeola Jerry-Oluwagbemi and Damilola Mike-Bamiloye.

So, Gbemi 2, subtitled The Waiting Room, will now be showing on Sunday, January 16, 2022 on Damilola Mike-Bamiloye YouTube channel. Gbemi 2 promises to be a wonderful viewing experience and I’ll see you in my review of it.

Till then, stay blessed!

Let’s Discuss 2021!

What’s up, all gospel movie lovers out there? You’re welcome to this long overdue Fantalk edition. I mean, I began work on this article as a 2021 midyear review, but it’s had to evolve into a year-end review of 2021 gospel films. Really, there was a whole lot of material to cover this year, more than ever before.

The word from God for drama ministers last year was Incredible Expansion, and the way it played out was unprecedented, in my view. Please follow me as I discuss my observations on the progress in 2021 as well as some suggestions on the way forward in 2022. Let’s go there!

  • STANDARD MOVIE RELEASE DAYS

Sunday is gradually becoming the preferred release day for Nigerian gospel movies. Usually between 12pm and 4pm, we now have something extra to look forward to after most church services. Personally, the few Sundays last year without movies felt different from others that had the likes of Abattoir Season 2, Games Season 1 and Kembe Isonu Season 3 to 5 to look forward to. This seems to be ‘standardizing’ the industry by making even richer, already blessed Sundays with the presence of God. Similarly, Friday has seemed mainly for episodic films like the Husband and Wife Series from PRODRAM, and Fire in the House from Victory Drama Group; these gave my Fridays that extra bit of spice. With this development, our expectations as fans are fuelled and it’s just great to have movies to look forward to on specific days of the week.

  • MORE SERIES

Gospel movie series are not an innovation but as far as the YouTube platform is concerned, we had more on it last year than ever before. While there were only a handful like The Prime Suspect, Abattoir Season 1, Reverse Fall, From Ashes and Kembe Isonu in 2020, last year, we were blessed with many more. We’re still some way from standardized durations but the consistency in their release has been key. It’s not an easy task writing TV series, compared to writing a feature movie: you have to get the pacing right, and the structuring of episodes so that each has its climax is no mean feat. I trust we’ll have more and better in 2022.

  • BETTER PUBLICITY

It’s a thing of joy to see how far gospel films have come in terms of creating awareness among the fan base, compared to a few years ago. Now, short films, feature films and series all do trailers and poster pictures which play a large part in their viewership. Similarly, harnessing the enormous resources of social media, potential audiences now have access to production stills and behind-the-scenes footage, as well as details on pre-production and post-production. All these have worked to make gospel movies more known to the worldwide audience.

  • MINISTRY SUPPORT

There is no doubt that gospel movies have been a source of blessing for decades and many viewers have in the past expressed the desire to sow into drama ministries. Well, as though God has given the go-ahead, ministries’ account details are now displayed at the beginning or end of productions. Spiritual seed is being powerfully sown in us on a consistent basis and it is definitely a pleasing thing for drama ministers to reap a material harvest from us. I believe this would go a long way in enabling them to release more high-quality productions.

  • NEW APPROACHES

One 2021 movie that still tasks my thinking with regards to its approach is No 1 (Number 1), an Oladipo O’Fresh film. He’s redefining the art of filmmaking through his use of mobile phones. Not only that, his method of portraying worldly fashion and media in a way very similar to what obtains in the present world strengthened the believability of the story, though in my opinion, it has side effects and should be used with a lot of caution. Nonetheless, the credible performances and the message of No 1 cannot be denied. I hope that in 2022, drama ministers will venture into unpopulated genres as God inspires them to do so.

So, those are the improvements I noticed last year. Please, feel free to let me know yours in the comments section. Next, I’ll discuss briefly the areas where there can still be improvements.

  • POSTER PICTURES, AGAIN!

Let’s be frank: there’s an enormous number of content fighting for our attention online daily. It therefore means that priority should be given to the things that will make our productions attractive. One of the first things potential audiences get to see about a movie is the poster picture. Hence, it should be given a lot of thought, even before production begins. On a personal level, it’s rare for me to click on a movie whose packaging is not attractive or at least, decent. Having blurry images on a movie poster is simply not good enough in my opinion for where God is taking us. Though more drama ministries have done it well this year, I hope that in 2022, others will give more value to their YouTube thumbnails, so that if dedicated photos need to be taken on set, it’ll be done.

  • STORY PRESENTATION

Having given gospel movies attractive packages, it is subsequently vital to deliver on the promise of those poster pictures. There are many wonderful stories being told and concepts being engaged, but sometimes, they’re not presented in an interesting way. Similarly, coherence among scenes is important as it helps the viewer to follow the story better. In 2022, I’d like to watch all these beautiful stories God inspires in drama ministers being told in ways that will make a lasting impression on audiences. One thing that might help in this regard is to pitch one’s story ideas to a few potential viewers, just to get some kind of feedback and know areas where adjustments could be made.

Alright, we’ve come to the end of this review. What are your observations about 2021 gospel movies? What do you think they’ve done well and the places they can still improve? Please let me know your thoughts in the comments section.

If you like what we’re doing, please follow this blog, like and share our videos. Thank you so much.

Till the next article, stay blessed!

“iWant” Review

Hey folks! You’re welcome to the first review in 2022 as we take a look at iWant, a fantastic movie produced by Oladipo O’Fresh. It tells the story of Bukunmi, a talented chef and singer who was in a way, pressured into believing that an iPhone was the missing rung on his ladder to success. 

First off, iWant uses music brilliantly to shape what the audience feels at different times. The song selection is remarkable because it’s not limited to the movie’s cool original soundtrack, but extends even to free non-copyright ones. It’s a good example of how gospel movies don’t always have to produce only one soundtrack which is then used repeatedly over the course of the entire film. This usually results in boring movies as the same tune is used in different scenes with tension, laughter, sorrow, anger and other emotions. iWant on the other hand goes further to do a character signature tune for Abana’s crew, which was really nice. So, it’s a big musical thumbs-up for iWant.

Abana’s crew

Another remarkable feature of this movie is the excellent performance of its actors. Led by Iremide ‘Fantasticks’ Adeoye, who also plays the self-acclaimed No 1 in his titular movie, every artiste seems to have natural relationships with one another that strengthens the story as a whole.

Oladipo O’Fresh is a guru smartphone filmmaker and you couldn’t tell iWant was shot on one; the picture quality here is superb. The cinematography is also very good, highlighted by a 96-second long take of Bukunmi and Sola, as well as a brilliant time-lapse establishment shot, though it was overused in my opinion.

Bukunmi and his friends

There’s something the producers of iWant did that impressed me greatly and that’s the Parental Guidance tag. This shows a consciousness of its direct approach and a consideration for the audience. As far as I know, it’s a first of its kind among Nigerian gospel movies. So, viewers have a caveat that shapes what might be their expectations going into this movie which would prevent avoidable offences.

My takeaway from iWant is that God’s promise to fulfil the desires of our hearts is not a blank cheque to satisfying whatever want we think we have. As Psalm 37:4 says, God will only do so when we’ve delighted ourselves in Him. He then shapes our hearts to want the things He desires, and so, we pray for and pursue only things that are pleasing to Him.

What’s Laide’s role in all this?

The third act of this movie resolves its main conflict but also raises one or two new ones that may leave the door open for a sequel, if need be. All in all, iWant is a good time watching and teaches dependence on God in everything, even in the so-called little matters.

Alright, we’ve come to the end of this review. Have you seen iWant? What did you learn from it? Please let me know your thoughts in the comments section below. You can watch it below.

In my assessment, the number of views on his madebyofresh YouTube channel does not do his high-quality skits and movies justice. So, please check out other videos on the channel. Thank you!

Till the next article, stay blessed!

Top 10 Gospel Movies in 2021

What’s up, gospel movie lovers all over the world? You’re welcome to this concluding article for 2021 where I share with you, my top 10 gospel feature films. It was really tough coming up with this list because there were a lot of good movies produced this year. I watched nearly all feature movies, if not all, and this selection is based on my overall impression of them: the story, message, filmmaking art and that X-factor that can make a film special. Without further ado, let’s dive into it.

10 – ENIOLA: Directed by Isaac Femi-Akintunde, I consider Eniola a modern Yoruba Christian film. It was one of the Valentine’s Day YouTube releases this year and teaches important lessons on Christian courtship to youths. Though it takes place in a peaceful, rustic atmosphere, its conflict shakes its protagonist’s world and almost pulls it apart.

9 – THE KEEPER: This movie from PREM Film Production International is a crystal clear picture of what it means to be an unwilling participant in evil covenants. The Keeper is a powerful ministration that is sure to get you praying after watching it.

8 – CHRIS’ HEARTBEAT: The fantastic work done to create the symbolic world of Punala Kingdom, very impressively its language, is undeniable. All actors played their roles very well and the message is a deep one that will bless you.

7 – LIFE ON LINE-STRAND: LOLS is a full package: its rich characterization, dramatic elements, story, suspense and music are sure to engage you and bless you at the end.

6 – OOSA: It’s difficult for me to get over the crisp picture quality I witnessed at this movie’s premiere. With a touching story, a fearsome protagonist and top class visual effects, Oosa is a movie that has a high production value.

5 – PATRICK SYNDROME: As one of a kind in the DraMusiComedy genre, Patrick Syndrome remarkably excels in its casting, delivers a story with a message that has vast potential for application, utilizes comedy that lands well, and produces memorable numbers, my favourite being Omo Daada. This is a thoroughly enjoyable movie.

4 – NO 1: No 1 is a movie in every sense of the word: engaging story, innovative and professional smartphone cinematography, top-notch visual effects and a very powerful theme. It passes across its message in a very strong way, and along with Patrick Syndrome, it’s the film I’ve seen the most on this list.

3 – BLIND BUT LOVED: The impact this EVOM production had on me is not something I can forget in a hurry. It mirrored vividly the price that Jesus paid for you and me, and it challenged me to make the right response to that sacrifice.

2 – LEGION: For the first time since Exemplary and more memorably for me Harmony Deal, Joshua Mike-Bamiloye stars as the protagonist in this highly entertaining and impactful movie. The story is moving and it’s one that youths are certain to benefit immensely from.

1 – JAILER: This is an amazing movie shows the power of partnership; it was put together by Faithlift Productions and Mount Zion Film Productions. The story by Pastor JF Odesola and script by Damilola Mike-Bamiloye were taken to another level by the credible acting of D-Baba and Martha Oguma as leads, as well as every other cast. Accompanied by the children-chorused Jesus Stops the Storm and the right balance of humour, this film contains many of the most memorable moments I experienced in the YouTube cinema in 2021.

So, those are my top movies for 2021. I’d like to make a couple of special mentions to amazing short movies and series I watched this year: they are the series Philosopher’s Cross from PRODRAM, Finding the One from Deep Thots and Abattoir Season 2 from Mount Zion. Sunday Night is an amazing short film and I was equally enamoured by The 11th Commandment from Oasis Production Studio. Next year by God’s grace, I’ll be doing a top movies compilation each for feature films, short films and series. Finally, I wish you all God’s newness in the new year, in Jesus’ name.

Till 2022, stay blessed!

Design a site like this with WordPress.com
Get started